Wednesday, February 08, 2012

In Review: Mac Miller's Blue Slide Park


Another product of the XXL Freshmen classes.

The first time I heard Mac Miller was on MuchMusic's RapCity during the summer time (Yes, they were playing music videos). At first, I didn't catch the title of the song or even who the artist was during the intro credits. I allowed bias to get the best of me and assumed it was a Canadian artist. This is thanks in part to the lack of use of props and other flash that is often noted in hip-hop videos. Alright and the fact he is white. Though with clever visuals and even more clever rhymes I was won over by the man they call Mac Miller (born Malcolm McCormick). I was quick to grab his mixtapes which are numerous considering his age (He's only 19). I was astounded by his delivery and energy put into his rhymes. There isn't much fluff to be had before Blue Slide Park came out this year and solidified XXL's choice to put him up with the rest of the freshmen class of 2011.

The album's title Blue Slide Park is a reference to Mac's childhood and a popular hangout for him well into his teens. Throughout the album there are other references to his childhood and his hometown of Pittsburgh. The same town that has produced another young rapper by the name of Wiz Khalifa and both of them have publicly sung the other's praises as of late. The same Wiz who had been criticized for promoting an image of being too pop oriented. This type of criticism hasn't been dedicated solely to Wiz as the only rapper for looking too pop (See: my Drake review). Mac's appearance and penchant for wearing snap backs has been the main horn for the critics to stress upon; only, because this rapper definitely doesn't have many faults in his lyrical game otherwise. It would appear that the only rappers with mainstream success who don't tend to have any criticism for their appearances are those who feature themselves in an antiquated "gangster" appearance. And while I'm not here to say Gangster rap is dead or anything I'd like to stress the fact that it can't be a pigeonholed focus of what can be considered a good rap act to succeed in the mainstream market. The idea that rap can deviate from outside of its original source material is a very foreign idea to most. Mostly take an issue with the idea that it doesn't give any proper due to the originators of the genre thus can't be considered true hip-hop/rap. If one is to take the whole narrative of both the "Hip-Hop is dead" and just in general of how the music industry has run itself into the ground the essence of true hip-hop is something that requires much more insight than just one rapper's work. That ranting being said, the focus of the album blends the innocence of his childhood with his new found fame in touring across the world to being an established artist in the music industry with all the perks that come with it. It goes along with his ability to have tracks that have a party vibe feel to him but still can be appreciated for his lyrical skills. It's possibly because he doesn't strive to stick to any particular style in his songs.  As a debut effort, we are given a sampling of what Mac Miller has to offer. Focusing on the whole party/childhood theme is a good look from business point of view, but it lets the listener drop in with few prerequisites. If you’re a listener looking for the new underground artist, I think you’re better served looking elsewhere. The flow is on point though that should have any hip-hop head at least nodding there head a little bit I would hope.

You can't isolate any particular "Pennsylvania" sound even with a majority of the production featuring Pittsburgh - based I.D Labs. Rap's new, hot and upcoming producer, Clams Casino is also featured on this album with credits on 2 songs. In all the different combination of beats on the record combined with Mac Miller's lyrics hit the target and it's hard to rank any songs better than the other. It would be important to note the ending of the album does have a more emotional tone of Mac Miller as the person instead of the other "teen not ready to grow up" persona that one encounters during the majority of the album. 
Blue Slide Park in art form

Even with the accolades and co-signs from other prominent artists, it's hard not to stray away from the music itself and make comments about hip-hop in general. Maybe it is because of the material found within that makes it seem justifiable to go off about the direction of hip-hop and try to discern whether Mac Miller is on that path. Being the first rap album to debut #1 on Billboards through an independent label since the mid-90s. I'd say he's doing something right. 

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